Leila Djansi Listed Amongst Top Female Directors Of Colour In The USA
Ghanaian filmmaker, Leila Djansi has been listed amongst the top female
directors of colour by BlackcinemaDB, the Online Database of
African-American Films & Documentaries. The list puts her in the
company of Angela Basset, Regina King, Naomi Kawase and more.
Based in Los Angeles, BlackCinemadb.com is an online movie database and entertainment website for fans of African-American themed films and storytelling. Their mission is to help promote the work of black directors, writers, actors, producers and technical crew while providing the most current and thought-provoking commentary regarding black-themed films.
Based in Los Angeles, BlackCinemadb.com is an online movie database and entertainment website for fans of African-American themed films and storytelling. Their mission is to help promote the work of black directors, writers, actors, producers and technical crew while providing the most current and thought-provoking commentary regarding black-themed films.
Leila Afua Djansi is an American and Ghanaian
filmmaker who started her film career in the Ghana. She took a job with
Socrates Safo’s Movie Africa Productions where she worked as a
Writer/Line Producer. Whilst with the company, she wrote Ghana’s first
Gay/Lesbian rights screenplay The Sisterhood, the film that included the
late Ghanaian screen actress Suzzy Williams.
Djansi worked with the state owned Gama Film Company, where she wrote and produced Legacy of love.
In
the United States, she established Turning Point Pictures, an
independent production company geared towards social issue films.
Djansi’s first film was awarded a 2009 worldFest Platinum Award for the film Grass Between My Lips, a story of female circumcision and early marriage, set in a northern Ghana village.
In 2010, her debut feature, I Sing of a Well was nominated for 11 African Movie Academy Awards. The film won 3 awards: Best Sound, Best Costume and the Jury Special Award for Over-All Best Film. In 2011, Djansi was presented with the BAFTA/LA Pan African Film Festival Choice Award for the film I Sing of a Well.
Djansi’s 2011 film Sinking Sands received 10 African Movie Academy Award nominations, with Ama K Abebrese winning the Best Actress Award and Djansi earning the Best Original Screenplay Award. At the first Ghana Movie Awards in 2011, Djansi’s Sinking Sands received awards for “Best Art Direction”, “Best Costume”, “Best West African Film” and “Best Picture”. Sinking Sands was nominated in 14 categories.
Djansi 3rd directorial effort Ties That Bind received a Black Reel Awards Nomination in 2012. The film also won the Best Diaspora film at the 2012 San Diego Black Film Festival.
In 2016, Leila Djansi directed Like Cotton Twines an exploration of the practice of Trokosi in her native country of Ghana. The film was nominated for “Best World Fiction Film” at the Los Angeles Film Festival
Djansi’s work and contribution to the Ghana film industry has been recognized by UNiFEM Ghana, The African Women Development Fund, The Ghana Musicians Association and other social issue minded communities.
Djansi’s first film was awarded a 2009 worldFest Platinum Award for the film Grass Between My Lips, a story of female circumcision and early marriage, set in a northern Ghana village.
In 2010, her debut feature, I Sing of a Well was nominated for 11 African Movie Academy Awards. The film won 3 awards: Best Sound, Best Costume and the Jury Special Award for Over-All Best Film. In 2011, Djansi was presented with the BAFTA/LA Pan African Film Festival Choice Award for the film I Sing of a Well.
Djansi’s 2011 film Sinking Sands received 10 African Movie Academy Award nominations, with Ama K Abebrese winning the Best Actress Award and Djansi earning the Best Original Screenplay Award. At the first Ghana Movie Awards in 2011, Djansi’s Sinking Sands received awards for “Best Art Direction”, “Best Costume”, “Best West African Film” and “Best Picture”. Sinking Sands was nominated in 14 categories.
Djansi 3rd directorial effort Ties That Bind received a Black Reel Awards Nomination in 2012. The film also won the Best Diaspora film at the 2012 San Diego Black Film Festival.
In 2016, Leila Djansi directed Like Cotton Twines an exploration of the practice of Trokosi in her native country of Ghana. The film was nominated for “Best World Fiction Film” at the Los Angeles Film Festival
Djansi’s work and contribution to the Ghana film industry has been recognized by UNiFEM Ghana, The African Women Development Fund, The Ghana Musicians Association and other social issue minded communities.
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